After more than a decade, Tatort Paderborn—a series of site-specific exhibitions aimed at reappraising Paderborn’s public space, which started in 2007 and ran through 2014…[read on]
For the uninitiated, the name Ljubljana Biennale of Graphic Arts might be misleading. What began as a biannual survey of global fine art printmaking…[read on]
Art history likes clairvoyants. Divine as a tea leaf, the Brazilian Lygia Clark heralded not one, but three casualties of the field: the death of painting, the death of the author…[read on]
“How can we, as workers of the imaginary, recognize the significance and poetics of being when all manners of racism, war, and patriarchal violence redirect the gaze…[read on]
On a small, princess-pink television on the fifth floor of the WIELS Contemporary Art Centre in Brussels, an animated bear smokes a blunt as a spectral voice recounts a run-in with the police…[read on]
At MGGU in Frankfurt, the group exhibition ‘Fixing Futures. Planetary Futures between Speculation and Control’ gathers clashing, converging and contesting visions of tomorrow…[read on]
The history of Bärenzwinger Berlin is unique. The space opened as a bear enclosure in August 1939, housing Urs, Vreni, Lotte and Jule, who were all gifts from the city of Bern to mark the 700th anniversary…[read on]
A technology-forward intervention in the Centre Mercure of Esch-sur-Alzette, most of the works of ‘Hybrid Futures’ treat their digital media as a prosthetic for speculating not just about the human mind…[read on]
In 2017, the government of New Zealand Aotearoa granted personhood to the Whanganui River, legislation that “combined Western legal precedent with Māori…[read on]
