‘Grace of Desire’ is a rich visual survey aimed at highlighting works of queer women from the surrealist and avant-garde movements of the early 20th century to the present day…[read on]
Floral patterns have long populated utilitarian spheres, adorning furniture, textiles and stationery. The aesthetic, decorative qualities of flowers have made them ubiquitous…[read on]
Definitively not a retrospective, ‘Oh, Clock!’ displays hundreds of works by Amy Sillman from the past 15 years in a way that could be perceived as one–with a twist. In her first museum exhibition in…[read on]
The exhibition ‘Leigh Bowery!’ at Tate Modern charts the gloriously brazen, glitzy, and gender-bent life of the eponymous icon of the 80s London club scene…[read on]
‘Because he spoke’ (2025), part of a new body of work Parisian artist Pol Taburet created for his Schinkel Pavillon solo exhibition, potently encapsulates the show’s underlying…[read on]
As a child, I often looked up: at adults, at Christ on the cross in church, the tops of buildings, the clouds. I dreamt of gliding through the air like a bird, wandering in the wild…[read on]
Graffiti is an art form of the people. From the moment aluminum spray paint was patented in 1951 for use on steam radiators, the readymade canisters have been co-opted to create…[read on]
An amusing anecdote told by Pamela Z at this year’s Maerzmusik summed up the latest iteration of the festival quite well. Over 10 years ago, she created a version…[read on]
The building of all empires requires art and, much like the global franchise that is the Guggenheim, Refik Anadol’s generative AI artwork arrives alongside a new form of empire…[read on]
‘Aber hier leben? Nein danke. Surrealismus + Antifaschismus’ at Munich’s Lenbachhaus is a historically illuminating exhibition, which carries a great deal of suggestiveness for…[read on]
