‘Radical Playgrounds: From Competition to Collaboration’ opened this spring at Gropius Bau, showcasing interactive installation works that question the idea of playing by the rules…[read on]
The exhibition ‘Emerging Ecologies,’ which opened at MoMA last autumn, enacted a selective survey of the history of environmental thinking in American architecture during the rise of…[read on]
Jumana Manna is a Palestinian visual artist and filmmaker based between Jerusalem and Berlin. Her recent work includes the feature-length films ‘Wild Relatives’ (2018) and…[read on]
Oona Hyland’s exhibition ‘Active Forgetting’ at Wolf & Galtenz, presented with support from Culture Ireland, concerns the harrowing impact and silencing of the Magdalene Laundries in…[read on]
After 20 years of tenure, Adam Weinberg stepped down as director of the Whitney Museum in the fall of 2023. Among the many other roles and appointments he currently…[read on]
We spoke to Haley Mellin about the importance of integrating conservation into both the content and the concept of her work, and what we as humans can learn from attuning to the natural…[read on]
Nevin Aladağ is well-known for her multi-media works—spanning sculpture, video, performance and sound—which blend diverse cultural narratives and artistic expressions, exploring…[read on]
Agencia de Borde (Rosario Montero, Paula Salas and Sebastián Melo) is a Chilean collective whose origins were marked by an initial impulse to exchange conversations across…[read on]
As part of the research for her recent performance work ‘screen play,’ choreographer Hannah Schillinger visited 12 “wounded landscapes” across Germany and the Czech Republic…[read on]
Members of the protest and performance art collective Pussy Riot are currently on tour with their show ‘Riot Days,’ an adaptation of long-time member Maria Alyokhina’s memoir…[read on]
‘Romantic Ireland’—the Irish pavilion at this year’s Venice Biennale, by visual artist Eimear Walshe—explores the history of land contestation in Ireland and intergenerational care, both…[read on]
