Discover – Berlin Art Link https://www.berlinartlink.com Online Magazine for Contemporary Art & Culture Mon, 21 Jul 2025 09:17:35 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.2 Narrative Theatricality: An Interview with Mario García Torres https://www.berlinartlink.com/2025/07/21/mario-garcia-torres-interview-neugerriemschneider/ https://www.berlinartlink.com/2025/07/21/mario-garcia-torres-interview-neugerriemschneider/#respond Mon, 21 Jul 2025 09:17:35 +0000 https://www.berlinartlink.com/?p=173789 by Chris Erik Thomas // July 21, 2025
There’s a theatrical flair to Mario García Torres’ fifth solo exhibition at neugerriemschneider. In ‘nada me han enseñado los años (All the years have taught me nothing)’…[read on]
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There’s a theatrical flair to Mario García Torres’ fifth solo exhibition at neugerriemschneider. In ‘nada me han enseñado los años (All the years have taught me nothing),’ on view through August 23rd, a new series of black-and-white oil paintings have been arranged like a storyboard and offset by a rusty orange-hued carpet, freshly installed in the gallery’s Linienstraße location for the show and…

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Fantasy and Freedom: Ljubljana Biennale of Graphic Arts https://www.berlinartlink.com/2025/07/18/oracle-36-ljubljana-biennale-of-graphic-arts-review/ https://www.berlinartlink.com/2025/07/18/oracle-36-ljubljana-biennale-of-graphic-arts-review/#respond Fri, 18 Jul 2025 12:22:11 +0000 https://www.berlinartlink.com/?p=173839 by Adela Lovric // July 18, 2025
For the uninitiated, the name Ljubljana Biennale of Graphic Arts might be misleading. What began as a biannual survey of global fine art printmaking…[read on]
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For the uninitiated, the name Ljubljana Biennale of Graphic Arts might be misleading. What began as a bi-annual survey of global fine art printmaking, based on the principle of national representation, has long since outgrown its original frame. Over the decades, it has evolved into a curated exhibition of contemporary art, with each edition shaped by a new curator, artist or collective.

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Peeking: Navot Miller’s ‘Paradise’ at Dittrich & Schlechtriem https://www.berlinartlink.com/2025/07/18/navot-miller-paradise-dittrich-schlechtriem-exhibition-review/ https://www.berlinartlink.com/2025/07/18/navot-miller-paradise-dittrich-schlechtriem-exhibition-review/#respond Fri, 18 Jul 2025 09:16:55 +0000 https://www.berlinartlink.com/?p=173786 by Lars Holdgate // July 18, 2025
The stairs leading down into the basement are enveloped in color. It’s not yet 7PM; there’s nothing to see. Shiny sheets obscure the works…[read on]
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The stairs leading down into the basement are enveloped in color. It’s not yet 7PM; there’s nothing to see. Shiny sheets obscure the works. A lonely shower curtain with colorful stripes stands guard on the back room’s central wall. It is itself an attraction. People crowd into a shrinking basement and eagerly await the big reveal. The space feels somewhat empty. Slim windows at the top of the…

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Maintenance Is a Drag: Ghislaine Leung at Neuer Berliner Kunstverein https://www.berlinartlink.com/2025/07/15/ghislaine-leung-neuer-berliner-kunstverein-exhibition-review/ https://www.berlinartlink.com/2025/07/15/ghislaine-leung-neuer-berliner-kunstverein-exhibition-review/#respond Tue, 15 Jul 2025 08:57:47 +0000 https://www.berlinartlink.com/?p=173724 by Josefin Granetoft // July 15, 2025
One of the first things I notice when entering the space is a discarded piece of paper—a candy wrapper—crumbled up on the floor…[read on]
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One of the first things I notice when entering the space is a discarded piece of paper—a candy wrapper—crumbled up on the floor. Trash. It’s a minor occurrence, but in the almost empty space, it stands out. Tape lines mark the floor, and cracks and holes punctuate the walls. Dust gathers in the corners. Ghislaine Leung presents the ground floor of Neuer Berliner Kunstverein (n.b.k.) “left as it is.

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Breathing Matters: An Interview with Lucien Castaing-Taylor & Véréna Paravel https://www.berlinartlink.com/2025/07/14/interview-lucien-castaing-taylor-verena-paravel-exhibition-silent-green/ https://www.berlinartlink.com/2025/07/14/interview-lucien-castaing-taylor-verena-paravel-exhibition-silent-green/#respond Mon, 14 Jul 2025 09:50:59 +0000 https://www.berlinartlink.com/?p=173715 by Johanna Siegler // July 14, 2025
Few filmmakers working today so thoroughly unmoor the senses as Lucien Castaing-Taylor and Véréna Paravel. Since emerging from Harvard’s Sensory Ethnography Lab…[read on]
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Few filmmakers working today so thoroughly unmoor the senses as Lucien Castaing-Taylor and Véréna Paravel. Since emerging from Harvard’s Sensory Ethnography Lab—a crucible for reimagining the interface between anthropology and aesthetics—they have developed a body of work that resists the conventions of documentary form. Allowing themselves to be led by the camera, by the texture of environments…

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Britzenale Opens Site-Specific Exhibition in Berliner Allotment Garden https://www.berlinartlink.com/2025/07/11/britzenale-opens-site-specific-exhibition-in-berliner-schrebergarten/ https://www.berlinartlink.com/2025/07/11/britzenale-opens-site-specific-exhibition-in-berliner-schrebergarten/#respond Fri, 11 Jul 2025 14:24:43 +0000 https://www.berlinartlink.com/?p=173731 by Lars Holdgate // July 11, 2025
Set in the garden community “Zufriedenheit” (contentment), the 5th Britzenale opens this evening and runs until July 13th. A total of 11 site-specific installations and sculptures…[read on]
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Set in the allotment garden community “Zufriedenheit” (contentment), the 5th Britzenale opens this evening and runs until July 13th. A total of 11 site-specific installations and sculptures explore this year’s theme of mapping, which not only speaks to preconceived ideas surrounding these communities but also the environments that shape them. Britzenale location, ‘Zufriedenheit’ Kleingarten //

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Haptic Yearning: Toyin Ojih Odutola at Hamburger Bahnhof https://www.berlinartlink.com/2025/07/08/toyin-ojih-odutola-hamburger-bahnhof-exhibition-review/ https://www.berlinartlink.com/2025/07/08/toyin-ojih-odutola-hamburger-bahnhof-exhibition-review/#respond Tue, 08 Jul 2025 09:50:12 +0000 https://www.berlinartlink.com/?p=173621 by Mia Butter // July 8, 2025
Hamburger Bahnhof, as we know it, has only existed since the late 1980s. Previously the terminal station of the Hamburg-Berlin line…[read on]
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Hamburger Bahnhof, as we know it, has only existed since the late 1980s. Previously the terminal station of the Hamburg-Berlin line, the train station was converted into a transportation museum, before becoming the contemporary art hub it is today. Back to its roots, the museum’s east cabinet has been transformed into a train station once more by Nigerian-American artist Toyin Ojih Odutola.

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Top Worldwide Exhibitions: Art Openings in Summer 2025 https://www.berlinartlink.com/2025/07/01/top-worldwide-exhibitions-art-openings-in-summer-2025/ https://www.berlinartlink.com/2025/07/01/top-worldwide-exhibitions-art-openings-in-summer-2025/#respond Tue, 01 Jul 2025 11:59:40 +0000 https://www.berlinartlink.com/?p=173234 July 1, 2025
Every month, Berlin Art Link shines a spotlight on international exhibitions and events with our Worldwide Hit List. We want to highlight artists, galleries, museums…[read on]
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Every month, Berlin Art Link shines a spotlight on international exhibitions and events with our list of Top Worldwide Exhibitions. We want to highlight artists, galleries, museums and new projects touching on a variety of topics, employing multiple media and featuring diverse subjects. Below are some of the stand-outs that we’ve selected for the months of July and August. Fiona Tan…

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Tactile Engagement: Lygia Clark at Neue Nationalgalerie https://www.berlinartlink.com/2025/06/27/lygia-clark-retrospective-neue-nationalgalerie-exhibition-review/ https://www.berlinartlink.com/2025/06/27/lygia-clark-retrospective-neue-nationalgalerie-exhibition-review/#respond Fri, 27 Jun 2025 09:37:44 +0000 https://www.berlinartlink.com/?p=173357 by Fionn Adamian // June 27, 2025
Art history likes clairvoyants. Divine as a tea leaf, the Brazilian Lygia Clark heralded not one, but three casualties of the field: the death of painting, the death of the author…[read on]
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Art history likes clairvoyants. Divine as a tea leaf, the Brazilian artist Lygia Clark heralded not one, but three casualties of the field: the death of painting, the death of the author, the death of the autonomous art object. If everything Clark happened to be around seemed to die shortly after, she also guaranteed that the lessons of each experiment found atavistic form in later work…

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Doing Life in Real Time: ‘For Real For Real’ at daadgalerie https://www.berlinartlink.com/2025/06/24/for-real-for-real-at-daadgalerie-exhibition-review/ https://www.berlinartlink.com/2025/06/24/for-real-for-real-at-daadgalerie-exhibition-review/#respond Tue, 24 Jun 2025 12:48:35 +0000 https://www.berlinartlink.com/?p=173299 by Johanna Siegler // June 24, 2025
“How can we, as workers of the imaginary, recognize the significance and poetics of being when all manners of racism, war, and patriarchal violence redirect the gaze…[read on]
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“How can we, as workers of the imaginary, recognize the significance and poetics of being when all manners of racism, war, and patriarchal violence redirect the gaze from our indisputable presence?” This guiding provocation from the exhibition ‘For Real For Real’ at daadgalerie, curated by poet Claudia Rankine and The Racial Imaginary Institute, sets a tone of urgency, foregrounding a practice of…

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Productive Hope: ‘Fixing Futures’ at MGGU https://www.berlinartlink.com/2025/06/23/fixing-futures-mggu-exhibition-review/ https://www.berlinartlink.com/2025/06/23/fixing-futures-mggu-exhibition-review/#respond Mon, 23 Jun 2025 13:28:48 +0000 https://www.berlinartlink.com/?p=173253 by Adela Lovric // June 23, 2025
At MGGU in Frankfurt, the group exhibition ‘Fixing Futures. Planetary Futures between Speculation and Control’ gathers clashing, converging and contesting visions of tomorrow…[read on]
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At the Museum Giersch of Goethe University (MGGU) in Frankfurt am Main, the group exhibition ‘Fixing Futures. Planetary Futures between Speculation and Control’ gathers clashing, converging and contesting visions of tomorrow. Partnering with the graduate school Fixing Futures and the Center for Critical Computational Studies (C3S) of the Goethe University Frankfurt, the museum presents 15 artistic…

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Keeping Close: Ritual and Grief at Bärenzwinger Berlin https://www.berlinartlink.com/2025/06/20/group-show-baerenzwinger-berlin-exhibition-review/ https://www.berlinartlink.com/2025/06/20/group-show-baerenzwinger-berlin-exhibition-review/#respond Fri, 20 Jun 2025 08:54:05 +0000 https://www.berlinartlink.com/?p=173198 by Aoife Donnellan // June 20, 2025
The history of Bärenzwinger Berlin is unique. The space opened as a bear enclosure in August 1939, housing Urs, Vreni, Lotte and Jule, who were all gifts from the city of Bern to mark the 700th anniversary…[read on]
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The history of Bärenzwinger Berlin is unique. The space opened as a bear enclosure in August 1939, housing Urs, Vreni, Lotte and Jule, who were all gifts from the city of Bern to mark the 700th anniversary of Berlin’s founding in 1937. Since then, the small brick building in the middle of Köllnischen Park has been buried under rubble, restored, filled with new bear inhabitants, seen the birth of…

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