The group exhibition ‘Mimicry-Empathy,’ curated by German artist Susanne Bürner, brings together works that activate deep connections between the two concepts…[read on]
Petrit Halilaj slips into one of the two costumes lying on the floor. Suddenly, there is a big fuzzy creature with a bushy tail and a mask-like band of black around its eyes standing in…[read on]
Sharp, small, but sweet, ‘read that twice’ is a layered and ironic assessment of the modern-day value system. Though limited in size, it possesses the potential to leave each visitor with…[read on]
After more than 30 years of teaching, Raimund Kummer is ready to retire. The artist and professor of sculpture at the HBK Braunschweig has been constructing an expansive oeuvre…[read on]
HKW is currently presenting a curated cluster of works by veteran filmmaker Alanis Obomsawin. Born into the Abenaki First Nation, Obomsawin has documented, celebrated and mourned…[read on]
Like everything else, Maerzmusik, ‘The Festival for Time Issues,’ has been subjected to the capricious category of pandemic time over the last two years…[read on]
‘What Matters’ is both the question and statement of this year’s presentation of works by the Junge Akademie. In what is considered the most comprehensive display of works to date…[read on]
‘Crush’ is above all an exhibition about desire and queer social exclusion. It reflects multiple journeys and speaks through more than one voice, as the works in the exhibition examine…[read on]
Dutch artist Renzo Martens—famous for numerous, complex, sometimes repulsive, acts of artistic holy foolery—is back with a new chapter in his ongoing project at KOW in Mitte,…[read on]
Pieter Schoolwerth’s ‘Rigged’ at Kraupa-Tuskany Zeidler (KTZ) explores the ways in which we see the world and ourselves in an age of hyper-mediation…[read on]
